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A Victorian poet in the familyFrances Wynne, sister to May Wynne of Glendalough, merits a mention in an internet survey of Irish authors, and was the subject of an interview in a publication called 'The Lady of the House,' in the year of her early death.
First, the brief biography: 1863-1890 [this date is wrong]; b. Collon, nr. Drogheda; dg. clergyman; contrib. to Longman’s Magazine; Irish Monthly, Providence Journal; and Spectator; posthumous volume, Whisper (1890), published with a personal appreciation in which which Katharine Tynan wrote that she was ‘greatly loved by children, and the poor, and animals, and by her social inferiors’; m. Reverend Wynne, a cousin, 1892; d. in childbirth the year after, 29 Aug.; Tynan also wrote two poems for her. OIWP.
And then the interview;
THE LADY OF THE HOUSE 15TH June, 1893.] interview No. 26 - Mrs. Wynne "Do you mean to tell me that this is the East End?"
"I do, indeed," said Mrs.. Wynne, the charming young Irish poetess. "The very heart of the East End, though I admit it is hard to believe it. This very neighbourhood is described in Walter Besant's 'All Sorts and Conditions of Men.'"
We were sitting in the window of Mr. Wynne's study, looking- down at a long strip of garden where trees and shrubs were clothed in all the vivid hues of spring. In the flower beds a few pansies showed their velvety petals. There were trees, too, in the neighbouring gardens. All was sunshine and verdure—hence my question. Nor was the front of the house duller than the back. It faces Stepney Green, an oasis abutting on the Mile End Road, and with its handsome wrought-iron gateway, its pathway set with squares of black and white marble, and airy rooms, is as quaint and pretty a home as one could desire. The Rev. Mr. Wynne has lately been appointed to a curacy in Stepney, and he and his wife are still congratulating themselves on the little old-world house to which fate directed them. Three hundred years it has existed—a house with a history if one could but discover it; a house with panellings and carvings of old oak, unhappily painted over in the course of generations by successive barbarians, who knew not Oscar Wilde and the gospel of aestheticism; a house with nooks and corners brightened and adorned by the excellent taste of its present tenants. Next door lives Mr. Charrington, of temperance and county council fame ; a little farther up, the words "Jewish Home" inscribed above its portals, stands behind elaborately-wrought iron gates, a quaint old mansion, enshrined in romance as the boarding-house where the American claimant and his wife, dear to Besant's readers, found a home in London. What a delightful old couple they were. Do you remember how they finished a loaf between them at afternoon tea, and then went to bed to be roused in a terrible fright by the dinner-bell at eight ? Of course the garden tempted me, so Mrs.. Wynne and I went down to examine it, going through her little domain in detail on the way, and pausing at every turn to regret the painting of those carvings. In the pretty dining-room, with its subdued terra cotta colourings, hangs a water-colour sketch of Mrs.. Wynne's Irish home in County Louth. When we resumed our places in the drawing-room, with its yellow walls and matting to match, richly carved doorway, and abundance of pretty nick-nacks, mostly wedding presents, I began inquisitorially to examine my friend and hostess, who, with her pleasant, warm-hearted and unaffected manner, is a charming type of a simple and well-bred young Irishwoman. Still a girl, with a pleasing mobile face that changes with every passing emotion, brown hair, taken back from her forehead, and brightening in the sunshine to gold, eyes set in dark lashes under thick brows, she possesses an attractive personality, and the " winning ways " - no pun intended - that Erin's daughters claim as their special property.
"My native place," she said, " is Collon, a little village not far from Drogheda, and near the Cross of Monasterboice, which is the lion of the neighbourhood. When we have visitors we bring them the first day to Monasterboice, the second to the scene of the battle of the Boyne, the third to Mellifont Abbey. After that they have exhausted the neighbourhood, and I fear there is nothing left for them but to go home. A certain interest attaches to our house in that it was inhabited by Mr. Speaker Foster, of the Irish House of Commons, who was related to the Massarene family. His son, Thomas Henry Foster, Viscount Ferrard, married Harriet, Vicountess Massarene, in 1810, and their place, Oriel Temple, originally a tea house in the grounds, was added to from time
" You are the eldest daughter, are you not ?"
" Yes. As children we were never whipped, though we were strictly brought up. It was quite enough of my mother to say ' you have disappointed me,' to reduce us to submission. I was an insatiable reader, and the severest punishment that could be inflicted on me was to deprive me of my books. When I had exhausted my few children's books I fell back on Smith's 'Wealth of Nations.'"
" Not very attractive for a child, was it ?"
Mrs.. Wynne agreed. " Still it was better than nothing."
" Were you ever reduced to reading the Dictionary, as I have been?" was my next question.
" Yes," said Mrs. Wynne, laughing, " when I stayed with my grandmother, who was devoted to me. There the only books I could get at were the Bible and Johnson's Dictionary, in two old folio volumes. These I took to bed with me to beguile the time."
" Now as to your education."
" A very good governess taught me until I was twelve, and as just noted, I was strictly brought up - church twice on Sundays and all that. At twelve I was sent to school at Netting Hill to a Miss Pugh, who is still one of my best friends. Returning home I had another governess, who was almost too good to me. Then I attended the Alexandra College to study special subjects."
"What about your early poems?"
" My first was a hymn presented to my grandmother, who kept it in a Bible bound in blue velvet, where I came across it not long since, written in a round, childish hand, and evidently based on Watt's hymns or others familiar to me at the time. I know it ended thus—
' And my eternity shall be
Thy presence and Thy love.'
The next thing I remember was written while at school, and very proud was I of the praise my companions gave it. Its subject was the Academy painting, 'Her Father's House'—a little waif looking into a church. My idea then was that poetry should be written in a furore of inspiration."
" How did your first book, ' Whisper,'' come to be published ?"
" Well, primarily through making, almost by accident, the acquaintance of .Miss Katherine Tynan—I was intensely struck by the beauty of her poetry. She gave me many valuable hints—for example, as to making each verse rhyme and not alternate verses. By her I was introduced to Father Russell, S.J., the kindly editor of the Irish Monthly, and he took my first printed poem,' The First Cuckoo,' after she had brushed it over. This was in 1886 or 1887. I became a regular contributor to the Irish Monthly; and meantime sent a 'Ballade' to Longman's Magazine. Mr. Andrew Lang took it, and asked me to write more for him in The Sign of the Ship, which of course I did, as also for Merry England, and The Providence Journal. When a certain number of my poems had appeared, Father Russell suggested that I had done enough to make a little book, and offered to pay for its publication by Messrs. Kegan Paul. This offer I accepted. It was very kindly reviewed. An edition of 750 was printed, out of which 500 sold. The other day Mr. John Lane, of Elkin Matthews, wrote to me offering to take over from Kegan Paul all that were left, and to publish for me, at his own expense, any book I might think of bringing out."
"When was ' Whisper' published ?"
"What are you doing now ?"
"Not much just at present. Last year I wrote three poems for The Spectator, and one at Easter."
"Now as to your marriage."
''Oh, that is a long story!" said Mrs.. Wynne, laughing. " My husband and I were second cousins ; his sister is my greatest friend. We were engaged for a year and a half, and married in '91. Won't that do on the subject ?"
Mrs.. Wynne has uncommon poetical gifts, as all who have read her little book must acknowledge. Only the other day her poem, "Whisper," was quoted by T. P. O'Connor in the Weekly Sun, under the heading "At the Sign of the Lyre," a column wherein his excellent literary taste allows nothing to appear of merely average merit. The only drawback was that the printer attributed it to one "Francis" not Frances Wynne. For the benefit of those to whom it may be unknown, I venture to transcribe it here:—
''You saucy south wind, setting all the budded beech boughs swinging Above the wood anemones that flutter, flushed and white, When far across the wide, salt waves your quick way you were winging Oh! tell me, tell me, did you pass my sweetheart's ship last night ? "Ah ! let the daisies be, South wind, and answer me : Did you my sailor see? Wind, whisper very low, For none but you must know I love my lover so. "You've come by many a gorsy hill ; your breath has sweetness in it ; ' You've ruffled up the high, white clouds that fleck the shining blue ; You've rushed and danced and whirled, so now, perhaps, you'll spare a minute To tell me whether you have seen my lover brave and true ? "Wind, answer me, I pray, I'm lonelier every day, My love is far away; And sweet wind, whisper low, For none but you must know I love my lover so."
Unlike many other people, Mrs.. Wynne resembles her poetry. She has the same freshness of feeling, breeziness, and charm. No one who meets her after perusing her writings is disappointed. My acquaintance with her, as well as many other pleasant things, I owe to my kind and venerated friend, the Rev. Matthew Russell, who wrote to me about her when she came to settle in London. Father Russell, in his quiet, unostentatious way, has done as much for Irish literature as any man living. In the pages of the Irish Monthly many well-known writers - from Oscar Wilde to Miss Tynan, and from Rosa Mulholland to Miss Emily Hickey—have made their bow to the reading public. Its editor's sympathies are wide; he knows no distinction of class or creed, and his advice and interest have been of inestimable value to more than one with whom chance has brought him in contact.
C. O'CONOR ECCLES.
Another poem by Frances Wynne
En Attendant This morning there were dazzling drifts of daises in the meadow, On sunny slopes the celandines were glittering like gold, Across the bright and breezy world ran shifting shine and shadow, The wind blew warmly from the west. Now all is changed and cold. He’s half an hour late, While here I wait and wait. Well, it is just my fate- Too plainly I can see, He never cared for me, How cruel men can be! I wish those daffodils out there would cease their foolish flutter, And keep their bobbing yellow heads for just a second still. My eyes ache so! Would some one please to partly close the shutter, And move those hateful hyacinths from off the window sill? He’s half an hour late, No longer shall I wait. Hark, there’s the garden gate! Love is this you at last? Ah, do not be downcast- I knew the clocks were fast.